Sinopsis

This fascinating book challenges two conventional views of the Italian Renaissance: first, that the status of the 'fine' arts (painting, sculpture and architecture) was higher than that of the 'applied' arts; and second, that European culture defined itself as superior to those of the expanding horizons that lay beyond its limits. The book is richly illustrated and it will serve as a source of enduring value for the specialist, just as it will delight the avid museumgoer.

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